LocationCalle Eraso 31, Madrid, SpainBy Luisa Brando (Luisa Brando Estudio)
María Lozano (The Dream Lab)
Natalia Matesanz (CumuloLimbo Studio)
Photography byStudio Yuichi Kimura
Featured ArtistsAna Bustelo Carlota Gallo Elena Juarez Emma Cassi Fuensanta Sobejano Laura pilar Delgado Lola Zoido Luisa Brando Lucia Espinós María Lozano Marta Pinilla Mirian Miguel Natalia Matesanz Omayra Maymó
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Synesthesia —from the Greek syn (together) and aisthesis (perception)— names a phenomenon in which the senses intertwine: hearing colors, touching sounds, seeing temperatures. Beyond its neurological definition, synesthesia is understood here as a form of sensory knowledge; a way of grasping that experience does not fragment, but rather unfolds in simultaneous layers.
Within the framework of Madrid Design Festival 2026, this exhibition is conceived as an event-place from which to explore the blurred boundaries between design, art, and research, and their inevitable connection to the sensory. We are interested in what happens when a piece ceases to be an object and becomes an experience; when design is approached through the body, emotion, and tactile memory.
From this perspective, we invite creators whose work understands making as a form of perceptual activation.
Synesthesia is conceived as an open conversation. We are not professional curators, nor do we aim to be. We are María Lozano (the dream lab), Luisa Brando (Luisa Brando estudio), and Natalia Matesanz (cumuloLimbo studio)—architects and designers based in Madrid—and in our own practices we move across scales and hybrid territories. In this sense, Synesthesia is an opportunity to pose and share some of our own questions alongside other artist-designers.
Synesthesia brings together the work of 12 young artists.
1. Carlota Gallo, Elena Juárez
4. Marta Pinilla (Biomatrix)
2. Plaf Studio, Fuensanta Sobejano
5. Elena Juárez3. Emma Cassi
6. María Lozano
Ana Bustelo Fuensanta Sobejano Luisa Brando Plaf Studio - Mirian Miguel Carlota Gallo Fragments of Fanzine. Booklet printed by Raum Press.
Entiendo la sinestesia como un puente entre percepción y conciencia. Un espacio donde ver deja de ser un acto pasivo y se convierte en una experiencia meditativa. En este sentido, mi obra propone una forma de estar con la imagen: no observarla desde fuera sino entrar en ella, permitiendo que la percepción transforme la experiencia del espacio y del tiempo
Fuentsanta Sobejano, Artista invitada
Fragments of exhibition
La sinestesia aparece aquí como una forma de entender y construir la experiencia. No como un fenómeno perceptivo aislado, sino como una lógica de trabajo basada en la superposición de sentidos, de materiales, de disciplinas y de escalas.